Well. As the newest member of Houghton College's crack security force, I am once more enjoying the perks of being paid to sit around waiting for stuff to happen. But now I have free, unlimited access to the internet--the perfect place to while away hours without the needless fear of being productive or useful.
And since I've finally got access to a computer less than five years old, I've been happily introduced to incredible time-wasting power of Google Earth. Never before has a mere computer program come so close to actually making me nauseous. If you start, for example, with **** Centerville Drive, Houghton NY 14744--my current living address--you will see satellite photographs dimly displaying the foresty setting of the northern "suburbs" of Houghton, NY as witnessed from a simulated altitude of 4,485 feet (a little under a mile up). Type in "Moshi, Tanzania" and the earth falls away beneath you as you soar, digitally, to a simulated altitude of 1,503 miles in less than two seconds. The earth moves beneath you as you move eastward, crossing the Atlantic ocean in the time it takes you to sneeze, and suddenly you are falling, quite rapidly, crossing all those tiny West African countries, gaining speed as the Democratic Republic of the Congo speads out beneath you, falling even faster as you move over Lake Victoria and the massive Mt. Kilimanjaro fills your vision...
Actually, your computer screen. At any rate, your descent slows as the land becomes blurry and green, as if your eyes were sparing you your impending impact, a moment frozen in terrified agony in your head. And you are there. 7,657.23 miles away, as the crow flies if he happens to be a crow capable of cross-oceanic endeavors and feels so inclined. It's quite disorienting, at first.
And, in six days, this old crow, charting a course from Buffalo, NY to Washington DC(282.5 miles), across the Atlantic Ocean to London, the UK (3,672.31 miles), take a short layover (6 hours), then hop to Amsterdam (the shortest leg yet at 230.22 miles), followed by the longest layover in the trip (16 hours, overnight), and then embark on the longest flight (a whopping 4,275.65 miles) to Kilimanjaro International Airport, Moshi, Tanzania, arriving on the third day of his sojourn, logging an extra 45.13 miles overland (as even the average crow could fly, with proper motivation) and an additional 803.45 air miles (should the airline pilots choose to follow the incredibly overachieving crows and their ridiculously straight lines).
Ahhh. Thanks to all who chose to contribute their opinions and the ever-accommodating Amazon.com, I will be accompanying myself with good reading. Thanks to none of you, I'll be provisioning myself with granola bars, oatmeal, crackers, cheese, and a beef stick for the duration of what will be, if all goes according to schedule, something like 52 straight hours of airline flights and layovers. Note to self: bring the nalgene bottle.
Well. Cheerio! I'm off to explore blog-land and try to find Mollie's blog again. (hint, hint...Mollie). Until next shift, cheerio!
27 November 2006
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Monday, November 27, 2006
6 comments:

16 November 2006
okay, so my phone died and I have an appointment with traffic court to explain why I haven't fixed the muffler on my truck which is currently immobile due to a faulty alternator, so this will be very short:
1. and most important. I am going to have a lot of empty time in my life soon and reading will be very important. I'm putting in an order to Amazon by the end of the week. What should I buy/borrow/read? Stipulations: absolutely nothing involving analyses of postmodernism and/or Evangelical Christianity.
2. no, it's not a sin to not feel as I feel; but it is a sin not to feel at all, or to feel only what it is safe or accepted to feel. Remember the ringing condemnation of Christ: We played a dance for you, but you did not dance. We played a dirge for you, and you would not mourn. Mindless obedience or the heartless participation of a safely detached observer, both are missing something vital. If you can witness something beautiful or sorrowful without being moved, isn't there something disturbingly wrong with you? Something problematic with your soul?
Furthermore, there are sins that are not individual: corporate sins of a church that emphasizes dogmatic intellectual conformity over freedom in Christ--freedom to explore, learn, grow, experience, and express in the guidance of the Holy Spirit the fullness of a unique and awe-inspiring human life. A fullness that goes far beyond attaining correct theology or learning how to go through the motions of some particular Christian community.
A church where people are incapable of independent response to something beautiful and human because they have been trained into passively waiting for someone in authority to tell them how to act appropriately is a broken, dysfunctional, lifeless church. If you have to curtail or conform your actions because of the sanctions or standards of a church, isn't there a problem with that church?
Conformity to Christian social structures is not holiness; in the words of Flannery O'COnnor, to be holy is "to be specially, super-alive:" full of the grace of God, and participating fully in the image of God--the creative and oft-surprising image of God that is reflected with special treasure differently and uniquely in each and every human being.
There were at least five people at that concert who, well schooled in the consequences of being nonconformist in Christian communities, disappointedly sat down because they were the only ones standing in a crowd who stood and sat as if someone was holding up signs: "applause," "stand," "clap," "sit," "heel," "stay," "good boy, have a biscuit."
I'm not saying that everyone there should have participated or involved themselves in that particular moment. But they came and provided an environment where they remained disinterested observers while musicians laid their souls bare with incredible grace, beauty and energy; and I find their response tremendously callous and fearful.
Callous hearts worry me, and strong social structures that encourage and discipline (to use Foucoult's words) hearts in conformity or quick obedience to the status quo terrify me. The church should have noting to do with these things. The church is where people come alive in Christ. If music and poetry cannot move you--either to mourn or to dance or even to lift your eyes to heaven and not see whether the people next to you are standing or sitting or leaving--what can?
I don't think it's just a matter of taste--that the polite, detatched spectators in this moment would be fully awake and alive in another context. I think there's some genuine soul pathology at work here. And God wants souls to be alive and involved, sensitive and able to percieve and respond to people in a myriad of ways and expressions.
Well, I could go on. But the pathos of my daily life is calling. Actually, not calling, since my phone won't work. Alas. I'll be in Buffalo next week, working overtime for the holidays, and if I don't call--sorry. no phone...
1. and most important. I am going to have a lot of empty time in my life soon and reading will be very important. I'm putting in an order to Amazon by the end of the week. What should I buy/borrow/read? Stipulations: absolutely nothing involving analyses of postmodernism and/or Evangelical Christianity.
2. no, it's not a sin to not feel as I feel; but it is a sin not to feel at all, or to feel only what it is safe or accepted to feel. Remember the ringing condemnation of Christ: We played a dance for you, but you did not dance. We played a dirge for you, and you would not mourn. Mindless obedience or the heartless participation of a safely detached observer, both are missing something vital. If you can witness something beautiful or sorrowful without being moved, isn't there something disturbingly wrong with you? Something problematic with your soul?
Furthermore, there are sins that are not individual: corporate sins of a church that emphasizes dogmatic intellectual conformity over freedom in Christ--freedom to explore, learn, grow, experience, and express in the guidance of the Holy Spirit the fullness of a unique and awe-inspiring human life. A fullness that goes far beyond attaining correct theology or learning how to go through the motions of some particular Christian community.
A church where people are incapable of independent response to something beautiful and human because they have been trained into passively waiting for someone in authority to tell them how to act appropriately is a broken, dysfunctional, lifeless church. If you have to curtail or conform your actions because of the sanctions or standards of a church, isn't there a problem with that church?
Conformity to Christian social structures is not holiness; in the words of Flannery O'COnnor, to be holy is "to be specially, super-alive:" full of the grace of God, and participating fully in the image of God--the creative and oft-surprising image of God that is reflected with special treasure differently and uniquely in each and every human being.
There were at least five people at that concert who, well schooled in the consequences of being nonconformist in Christian communities, disappointedly sat down because they were the only ones standing in a crowd who stood and sat as if someone was holding up signs: "applause," "stand," "clap," "sit," "heel," "stay," "good boy, have a biscuit."
I'm not saying that everyone there should have participated or involved themselves in that particular moment. But they came and provided an environment where they remained disinterested observers while musicians laid their souls bare with incredible grace, beauty and energy; and I find their response tremendously callous and fearful.
Callous hearts worry me, and strong social structures that encourage and discipline (to use Foucoult's words) hearts in conformity or quick obedience to the status quo terrify me. The church should have noting to do with these things. The church is where people come alive in Christ. If music and poetry cannot move you--either to mourn or to dance or even to lift your eyes to heaven and not see whether the people next to you are standing or sitting or leaving--what can?
I don't think it's just a matter of taste--that the polite, detatched spectators in this moment would be fully awake and alive in another context. I think there's some genuine soul pathology at work here. And God wants souls to be alive and involved, sensitive and able to percieve and respond to people in a myriad of ways and expressions.
Well, I could go on. But the pathos of my daily life is calling. Actually, not calling, since my phone won't work. Alas. I'll be in Buffalo next week, working overtime for the holidays, and if I don't call--sorry. no phone...
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Thursday, November 16, 2006
7 comments:

10 November 2006
wow
just got back from an internet-less week in Buffalo. put in 86 hours of ambulance work in six days...and a Jars of Clay concert.
conclusion: i love EMS, so long as I'm not burnt out. and Jars so helps you not be burnt out...pretty stinkin' incredible show. BUT...I was absolutely furious at the tepid audience response. I have decided that it is a sin to pay someone stand up in front of you and pour out their heart and energy and emotion and just sit and watch and refuse to answer with the same heart and energy and emootion. The whole audience just stood there. And sat down on cue the moment a slower song began. It's like they were totally incapable of experiencing passion or emotion publically without someone telling them what to do: stand, sit clap, yell, sway from side to side, move around...but only on cue. And only when everybody else is too.
It's wierd. I guess I got pretty indignant...work makes me pretty hardened, pretty deadened, pretty numb. We work in an efficient health-care machine and we are expected to be clinical and detached. It's like working with inks or motor oil or concrete or manure--it gets under your fingernails and in your hair and imbeds itself in your skin and you start smelling like death all the time.
And then something like Jars of Clay or Kate York comes along and sings and dances over you like clean pure spring water and you know what it meant to fishermen and camel drovers and dusty-street-worn tax collecters to have their feet washed by a man who's eyes were everything not deadened and stale. You know you need it, just to stand and let something real and human and intimate wash over you so you can feel something again, anything again, like a real breathing person and not some machine.
It's just plain wrong to see something beautiful or heartbreaking and appreciate it detatchedly. There's no way to avoid it in the information age, with the overwhelming flow of more information than can possibly be attended to. But when you pay someone to come and strip themselves (metaphorically) naked on the stage and be intimately human in the most powerful manner possible, and just sit and watch, that's wrong. Dead wrong. Detachment will kill your soul so fast it's unbelievable. And a little salvation is right there saying, uncross your arms, shake your feet, stop looking for the right cues and right responses, and live in this beautiful moment. Breathe or dance or close your eyes or sign along or something, please give me a sign that your heart is still beating! Respond to beauty and sorrow, feel beautiful or broken yourself through identification with something human, participate somehow for the salvation of your soul...it may not feel safe because it requires creativity and initiative and risk-taking...someone may ridicule you, or despise you, or see you vulnerable, or worst of all you may see yourself in all your glory and weakness...
but the smug alternative is so much worse.
thought of the day:
conclusion: i love EMS, so long as I'm not burnt out. and Jars so helps you not be burnt out...pretty stinkin' incredible show. BUT...I was absolutely furious at the tepid audience response. I have decided that it is a sin to pay someone stand up in front of you and pour out their heart and energy and emotion and just sit and watch and refuse to answer with the same heart and energy and emootion. The whole audience just stood there. And sat down on cue the moment a slower song began. It's like they were totally incapable of experiencing passion or emotion publically without someone telling them what to do: stand, sit clap, yell, sway from side to side, move around...but only on cue. And only when everybody else is too.
It's wierd. I guess I got pretty indignant...work makes me pretty hardened, pretty deadened, pretty numb. We work in an efficient health-care machine and we are expected to be clinical and detached. It's like working with inks or motor oil or concrete or manure--it gets under your fingernails and in your hair and imbeds itself in your skin and you start smelling like death all the time.
And then something like Jars of Clay or Kate York comes along and sings and dances over you like clean pure spring water and you know what it meant to fishermen and camel drovers and dusty-street-worn tax collecters to have their feet washed by a man who's eyes were everything not deadened and stale. You know you need it, just to stand and let something real and human and intimate wash over you so you can feel something again, anything again, like a real breathing person and not some machine.
It's just plain wrong to see something beautiful or heartbreaking and appreciate it detatchedly. There's no way to avoid it in the information age, with the overwhelming flow of more information than can possibly be attended to. But when you pay someone to come and strip themselves (metaphorically) naked on the stage and be intimately human in the most powerful manner possible, and just sit and watch, that's wrong. Dead wrong. Detachment will kill your soul so fast it's unbelievable. And a little salvation is right there saying, uncross your arms, shake your feet, stop looking for the right cues and right responses, and live in this beautiful moment. Breathe or dance or close your eyes or sign along or something, please give me a sign that your heart is still beating! Respond to beauty and sorrow, feel beautiful or broken yourself through identification with something human, participate somehow for the salvation of your soul...it may not feel safe because it requires creativity and initiative and risk-taking...someone may ridicule you, or despise you, or see you vulnerable, or worst of all you may see yourself in all your glory and weakness...
but the smug alternative is so much worse.
thought of the day:
"To love at all is to be vulnerable. Love anything, and your heart will certainly be wrung and possibly be broken. If you want to make sure of keeping it intact, you must give your heart to no one, not even to an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements; lock it up safe in the casket or coffin of your selfishness. But in that casket — safe, dark, motionless, airless — it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. The alternative to tragedy, or at least to the risk of tragedy, is damnation. The only place outside of Heaven where you can be perfectly safe from all the dangers and perturbations of love is Hell." --C. S. Lewis, The Four Loves
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Friday, November 10, 2006
6 comments:

25 October 2006
Reason #8 to live in Upstate NY

Yeah, baby. The Cronks have (had) a plethora of less-than-beautiful apples in their backyard from the old apple tree. First we grabbed a handy tennis racket and taught them the meaning of...tennis raquet; then we got ol' Bertha out and really put the fear of God in those apples. That's not apple you see exploding off the head of that driver.
That's fear.
word.
and Happy Birthday Nathan. I'm taking my car off the road.
--
and for the record, Chuckles, NO! Dear God no! I do not work for Houghton Custodial. Oh. You said Maintenance. No. Not yet. That would be cool though. I landscape with Creekside Landscaping, a.k.a. Allan Yanda. And pick up odd ambulance shifts in nearby Springville. And cut down trees with Glen Falkhe. And do odd jobs for pretty much anyone who will pay. And maybe in a few weeks, I will wear the grey of the faithful Houghton Safety and Security. We shall see. I'm becoming a bona fide community member. See also: bona fide day laborer. Yeah!
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Wednesday, October 25, 2006
4 comments:

23 October 2006
more thoughts (no bills!)
Hmmmm....
Watched "Failure to Launch" last night. It's ridiculously awesome if you re-watch portions with the French language overdubs. Especially the "Nekkid Room." My house is totally going to have a naked/library room. With a reading hammock. And a minibar. Terry Bradshaw's in pretty good shape for an old man...good call, Jeff. I'd move downstreet in a heartbeat. Find me a job.
As for dragons, I'm all for slaying them, and I'm all for the Shire. I think I'm game for going out and slaying them in groups. Not groups of dragons--groups of dragon slayers. In other dragon-slaying news, I'm nine pages into the uber-project. Maybe another seven to go. It's lookin' good. The secret, I've found, is Oreos and good Pollywogg Holler berry wine. And late nights.
I had a good discussion with a beautiful woman yesterday. Is sin action, or an attitude of the heart? The seven deadlies are all attitudes of the heart--Rage, Lust, Sloth, Gluttony, Pride, Envy, Greed. (thanks to little Wetherby for the help on the last three...not my specialties :) If the sin comes out, it evidences the heart infested with death--and in need of salvation. Following that line, sometimes a little active sin is a good thing. Like a nasty case of stomach cramps, it evidences the need for healing--salvation. Our salvation is not gained or lost--it is a series of losses and gains. We lose our lives, we get them back.
"As a man dies many times before he's dead, so does he wend from birth to birth until, by grace, he comes alive at last." -Godric
And I wasn't cutting a line between my friends in the world captivated by lies, and myself outside and redeemed. I am struggling not with necessarily straight-out lies, but influences, values, the ideas that drive my generation. They're mine as much as they are theirs, and they are my cultural context--both struggle and joy. I like being a twenty-first century American twenty-something...but like any other place or time, it's got questions to be answered and difficulties to be overcome. Got a need for the wind and wisdom of God, just like every generation.
Well said, Katrina. Reminds me of a few shiningly great of examples of artists who escape the status quo and give a little time to those not single teens or twentysomethings, who I shall celebrate here.
Cheers go out to the artists of Iron & Wine, for love songs like "Naked As We Came" celebrating the romance of those married with children. And the writers of Firefly and Serenity for integrating Zoe and Wash and the various and sundry stresses of married life into the tale of life on a starfaring freighter. And, of course, The Flaming Lips and Death Cab For Cutie for making the theme of love in the face of death O-So-Trendy right now with "What Sarah Said" ("Love is watching someone die/Who's gonna watch you die?") and "Do You Realize" ("we're floating in space...that happiness/makes you cry...that everyone you know/one day/will die?")
And, right back atcha Jeff, you should watch "Friends with Money," a really awesome and very NPR (so trendy right now) film about the lives of three married well-to-do couples and their unmarried and not-so-well-to-do friend. Which includes the coolest married couple I can remember being portrayed on film, with the chipper husband blissfully unaware that all of his friends thinks he's gay. Good flick.
So. Dr. Tawfiq Hamid is here, advocating peaceful Islam, and I am off to pretend to be a prospective student in class because it's too cold and wet to cut lawns today. I think it's becoming a trend. I shall call it, "winter." Just signed up for a few shifts driving the old ambulance. Good bye, lawnmowing, I shall miss the paychecks.
Watched "Failure to Launch" last night. It's ridiculously awesome if you re-watch portions with the French language overdubs. Especially the "Nekkid Room." My house is totally going to have a naked/library room. With a reading hammock. And a minibar. Terry Bradshaw's in pretty good shape for an old man...good call, Jeff. I'd move downstreet in a heartbeat. Find me a job.
As for dragons, I'm all for slaying them, and I'm all for the Shire. I think I'm game for going out and slaying them in groups. Not groups of dragons--groups of dragon slayers. In other dragon-slaying news, I'm nine pages into the uber-project. Maybe another seven to go. It's lookin' good. The secret, I've found, is Oreos and good Pollywogg Holler berry wine. And late nights.
I had a good discussion with a beautiful woman yesterday. Is sin action, or an attitude of the heart? The seven deadlies are all attitudes of the heart--Rage, Lust, Sloth, Gluttony, Pride, Envy, Greed. (thanks to little Wetherby for the help on the last three...not my specialties :) If the sin comes out, it evidences the heart infested with death--and in need of salvation. Following that line, sometimes a little active sin is a good thing. Like a nasty case of stomach cramps, it evidences the need for healing--salvation. Our salvation is not gained or lost--it is a series of losses and gains. We lose our lives, we get them back.
"As a man dies many times before he's dead, so does he wend from birth to birth until, by grace, he comes alive at last." -Godric
And I wasn't cutting a line between my friends in the world captivated by lies, and myself outside and redeemed. I am struggling not with necessarily straight-out lies, but influences, values, the ideas that drive my generation. They're mine as much as they are theirs, and they are my cultural context--both struggle and joy. I like being a twenty-first century American twenty-something...but like any other place or time, it's got questions to be answered and difficulties to be overcome. Got a need for the wind and wisdom of God, just like every generation.
Well said, Katrina. Reminds me of a few shiningly great of examples of artists who escape the status quo and give a little time to those not single teens or twentysomethings, who I shall celebrate here.
Cheers go out to the artists of Iron & Wine, for love songs like "Naked As We Came" celebrating the romance of those married with children. And the writers of Firefly and Serenity for integrating Zoe and Wash and the various and sundry stresses of married life into the tale of life on a starfaring freighter. And, of course, The Flaming Lips and Death Cab For Cutie for making the theme of love in the face of death O-So-Trendy right now with "What Sarah Said" ("Love is watching someone die/Who's gonna watch you die?") and "Do You Realize" ("we're floating in space...that happiness/makes you cry...that everyone you know/one day/will die?")
And, right back atcha Jeff, you should watch "Friends with Money," a really awesome and very NPR (so trendy right now) film about the lives of three married well-to-do couples and their unmarried and not-so-well-to-do friend. Which includes the coolest married couple I can remember being portrayed on film, with the chipper husband blissfully unaware that all of his friends thinks he's gay. Good flick.
So. Dr. Tawfiq Hamid is here, advocating peaceful Islam, and I am off to pretend to be a prospective student in class because it's too cold and wet to cut lawns today. I think it's becoming a trend. I shall call it, "winter." Just signed up for a few shifts driving the old ambulance. Good bye, lawnmowing, I shall miss the paychecks.
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Monday, October 23, 2006
2 comments:

11 October 2006
thoughts after bills
so bills are obnoxious--glad all I have to worry about is the phone and the student loans. elsewise I might go mad.
a quick thought before I head back out into the un-wired-world.
I have a lot of friends (guys and gals, but more guys than gals) who are late twenty-something, single, living at home or on their own, Playstation and X-Box owners who simply don't want to grow up.
I don't mean that in a derogatory way--it's just that my generation of guys has no real desire to marry, settle down, have a career, become a grown-up. I think that's why one of my friends just got a divorce and a new girlfriend.
We're the type who have mid-life crises at twenty-five. We get divorced and start hitting the bars again at thirty. Maybe because we grew up being told that grown-up life is boring, and hence grown-up's lives are over. Life, if it was to be lived, was to be lived in that hedonistic aura of high school and college individualistic excitement. At least, that's what every marketing image we've ever seen has told us.
And now they're telling us that we can be youthful and accumulate toys and have adventures and never settle down or accumulate responsibilities. Because once you have responsibilities and commitments you are no longer free. life is over.
Of course, without responsiblities and/or commitments, life is pretty much meaningless. But we haven't realized this yet. We keep wondering where we've been sold wrong--why we feel disappointed with our marriages, jobs, where the excitement and feelings of significance and importance went. Maybe they're over there, around the corner, if I could be free I would be able to live it up, to taste the excitement again...
huh. It's not a clear idea so much as a feeling I had yesterday while moving dirt from point A to point B and thinking about why one of my childhood youth group friends is getting a divorce. But I have work to do, so I don't have time to pound out something really incisive and profound. Just found it interesting to think about twenty-something angst and flailing in terms of the mid-life crisis.
When you're raised in a materialistic paradise where everyone is told everyday by image-based advertising that glamour and excitement and wealth and sensuality are your birthright, and the good life is there for anyone who can go out there and buy it, and you don't feel it, feeling left out can be really devastating. You could be happy and fulfilled and instead you're feeling cheated and held back.
You were meant to be larger than life; treating yourself to good things, being on the cutting edge of teachnology or music of something significant, being someone impressive, suave, exciting and hip and involved, oh yeah--these are the stuff of the good life, real life. Think about MTV's The Real World: the hijinks and instensity of high school and college are real life. Dating isn't a preparation or precursor to real adult life--it is real life, the only life exciting enough to warrant attention. Exploring your identity through new musical, emotional, sexual, stylistic or ideological experiences isn't a stage in growing up to a stable adult--it's all there is to life.
If it isn't epic, it isn't living. If you're settled, you're boring. If you aren't mobile, you're dead. Growing up is the act of becoming irrelevant, too consumed in commitments to be free and wild. We have nothing to look forward to because being young and free was supposed to be the best time of our lives, and we particularly blessed for being born American in the golden age of Living It Up For Me.
There's no glamour to growing up--nothing to look forward to, no really exciting prospects to something like marriage or commitments. Sure, it's a lie once you think about it--but how can you stop and think about it when it's so widely assumed? And who is proclaiming any sort of desireable alternatives? Smug, boring evangelicals?
well. brain vomit. I wish I had time to edit. oh well. cheers!
a quick thought before I head back out into the un-wired-world.
I have a lot of friends (guys and gals, but more guys than gals) who are late twenty-something, single, living at home or on their own, Playstation and X-Box owners who simply don't want to grow up.
I don't mean that in a derogatory way--it's just that my generation of guys has no real desire to marry, settle down, have a career, become a grown-up. I think that's why one of my friends just got a divorce and a new girlfriend.
We're the type who have mid-life crises at twenty-five. We get divorced and start hitting the bars again at thirty. Maybe because we grew up being told that grown-up life is boring, and hence grown-up's lives are over. Life, if it was to be lived, was to be lived in that hedonistic aura of high school and college individualistic excitement. At least, that's what every marketing image we've ever seen has told us.
And now they're telling us that we can be youthful and accumulate toys and have adventures and never settle down or accumulate responsibilities. Because once you have responsibilities and commitments you are no longer free. life is over.
Of course, without responsiblities and/or commitments, life is pretty much meaningless. But we haven't realized this yet. We keep wondering where we've been sold wrong--why we feel disappointed with our marriages, jobs, where the excitement and feelings of significance and importance went. Maybe they're over there, around the corner, if I could be free I would be able to live it up, to taste the excitement again...
huh. It's not a clear idea so much as a feeling I had yesterday while moving dirt from point A to point B and thinking about why one of my childhood youth group friends is getting a divorce. But I have work to do, so I don't have time to pound out something really incisive and profound. Just found it interesting to think about twenty-something angst and flailing in terms of the mid-life crisis.
When you're raised in a materialistic paradise where everyone is told everyday by image-based advertising that glamour and excitement and wealth and sensuality are your birthright, and the good life is there for anyone who can go out there and buy it, and you don't feel it, feeling left out can be really devastating. You could be happy and fulfilled and instead you're feeling cheated and held back.
You were meant to be larger than life; treating yourself to good things, being on the cutting edge of teachnology or music of something significant, being someone impressive, suave, exciting and hip and involved, oh yeah--these are the stuff of the good life, real life. Think about MTV's The Real World: the hijinks and instensity of high school and college are real life. Dating isn't a preparation or precursor to real adult life--it is real life, the only life exciting enough to warrant attention. Exploring your identity through new musical, emotional, sexual, stylistic or ideological experiences isn't a stage in growing up to a stable adult--it's all there is to life.
If it isn't epic, it isn't living. If you're settled, you're boring. If you aren't mobile, you're dead. Growing up is the act of becoming irrelevant, too consumed in commitments to be free and wild. We have nothing to look forward to because being young and free was supposed to be the best time of our lives, and we particularly blessed for being born American in the golden age of Living It Up For Me.
There's no glamour to growing up--nothing to look forward to, no really exciting prospects to something like marriage or commitments. Sure, it's a lie once you think about it--but how can you stop and think about it when it's so widely assumed? And who is proclaiming any sort of desireable alternatives? Smug, boring evangelicals?
well. brain vomit. I wish I had time to edit. oh well. cheers!
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Wednesday, October 11, 2006
6 comments:

05 October 2006
Road Trip! (lette)
Took a few days off to play a coffeeshop with Hiram in Lancaster and visit Timmie and Mollie in Philly! (I only regret that we did not see Dave Lilley...)
And, since the boss is out of town this week, I'm out of work. Hooray for Lost Season Two (holy crap stressful ending batman!) We missed the Season Three premier by an hour because we broke for dinner before watching the Season Two finale...bummer. You can't watch a season premier when you're totally excited about the last season's season finale. Have to see if we can catch it on rerun or iTunes or something.
so. I have to go do office work. but for your enjoyment (if blogger doesn't mess with me): pictures!

"Dance the spears with me, dark one!" If you look close you can see Mollie's not-quite-bemused disbelief in the background.

So this is the museum of art where Rocky runs up and down the stairs while getting in shape to the tune of "Eye of the Tiger", and they put this statue of him up in the middle of the steps, and then everybody said, dude, Rocky isn't art, so they took the statue down, and then all the tourists complained, so they put it back, but this time in a discrete corner so that the artsy fartsy types wouldn't be insulted and the tourist types could get their pictures. but that's unimportant. important: I'm rockin' awesome. A frickin' tank. Rock Out Me!

Ummnm. Hi? She likes to dance. And I have a cool hat.

And, hey why not pay a little homage to karate kid, too...you can't see Timmie doing the same thing next to me, while people are trying to take their wedding pictures with us in the background. Yes. Wedding pictures. Four separate weddings rolled up to take pictures in front of the museum. And with Rocky. What can you say? It's Philly...
And, since the boss is out of town this week, I'm out of work. Hooray for Lost Season Two (holy crap stressful ending batman!) We missed the Season Three premier by an hour because we broke for dinner before watching the Season Two finale...bummer. You can't watch a season premier when you're totally excited about the last season's season finale. Have to see if we can catch it on rerun or iTunes or something.
so. I have to go do office work. but for your enjoyment (if blogger doesn't mess with me): pictures!

"Dance the spears with me, dark one!" If you look close you can see Mollie's not-quite-bemused disbelief in the background.

So this is the museum of art where Rocky runs up and down the stairs while getting in shape to the tune of "Eye of the Tiger", and they put this statue of him up in the middle of the steps, and then everybody said, dude, Rocky isn't art, so they took the statue down, and then all the tourists complained, so they put it back, but this time in a discrete corner so that the artsy fartsy types wouldn't be insulted and the tourist types could get their pictures. but that's unimportant. important: I'm rockin' awesome. A frickin' tank. Rock Out Me!

Ummnm. Hi? She likes to dance. And I have a cool hat.

And, hey why not pay a little homage to karate kid, too...you can't see Timmie doing the same thing next to me, while people are trying to take their wedding pictures with us in the background. Yes. Wedding pictures. Four separate weddings rolled up to take pictures in front of the museum. And with Rocky. What can you say? It's Philly...
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Thursday, October 05, 2006
2 comments:

27 September 2006
well. hello.
so, that nasty habit of breathing persists--and a persistent hacking cough, as well. i am well enjoying an established life and routine; of course, this means it's about to be rudely interrupted.
Alex the Scott is no longer here, and that makes us sad. For a few short weeks, he graced our pantry (it makes a nice visitor's quarters, except for the stepping over bodies to get to the morning Cheerios) with good looks, good cheer, good music, and good conversation. it is fitting, i suppose, that on his last night here we were up to two-thirty a.m. tracing the evolution of American society, generation by generation, from the Great Depression to the present. 'twas most excellent.
i like being settled in finally. it gives me time and energy to diversify. and diversification is diversion most excellent! like spending a few hours in the pool with paddlesports last night. it's nice to know that not only do i still have my kayak roll, i somehow developed the ability to handroll my kayak in the several years since my last attempts. Charlie was impressed. my arms were angry. they had to weed-whack for six hours straight and then i told them it was time to shake, paddle and roll. silly arms. maybe i'll teach them what's what and go rock climbing tonight.
oh. and exciting news! i'm going to be an uncle again! hooray! and, my brother and sister-in-law might have the little (guy? girl?) in Tanzania...so I might get to visit Tanzania next summer and see the newest Holcomb!
Alex the Scott is no longer here, and that makes us sad. For a few short weeks, he graced our pantry (it makes a nice visitor's quarters, except for the stepping over bodies to get to the morning Cheerios) with good looks, good cheer, good music, and good conversation. it is fitting, i suppose, that on his last night here we were up to two-thirty a.m. tracing the evolution of American society, generation by generation, from the Great Depression to the present. 'twas most excellent.
i like being settled in finally. it gives me time and energy to diversify. and diversification is diversion most excellent! like spending a few hours in the pool with paddlesports last night. it's nice to know that not only do i still have my kayak roll, i somehow developed the ability to handroll my kayak in the several years since my last attempts. Charlie was impressed. my arms were angry. they had to weed-whack for six hours straight and then i told them it was time to shake, paddle and roll. silly arms. maybe i'll teach them what's what and go rock climbing tonight.
oh. and exciting news! i'm going to be an uncle again! hooray! and, my brother and sister-in-law might have the little (guy? girl?) in Tanzania...so I might get to visit Tanzania next summer and see the newest Holcomb!
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Wednesday, September 27, 2006
1 comment:

13 September 2006
Bated...and Switched
oooh, what a surprise! overcast and drizzly rain. again.
no lawnmowing today!
as previously metioned, i continue to pass Leonard St. and wonder if Paul and Kat are home and whether or not I can bum dinner and a beer off them, only to be pulled short at the empty realization that they are gone. there is a sense of loss.
but there is a great balance. last night, on a meander through the coffeeshoppe, a young lady caught my eye, grinned, and said hello. being of tremendous mental agility and posessing the response times of a caffienated leopard, I gave her a grin, a nod, chalked it up to freshman uncertainty and my own commanding presence.
four-and-one-half steps later, as i caught a chair leg with my left toe and began a graceful in-flight path reorientation, my astounding powers of perception indicated that I should, in fact, recognize this person.
several minutes of sorting later, with surgical precision i deduced that i definitely should know this girl. from somewhere. earlier.
and then i observed with the keenest discernment--the Ruaha National Park sticker on the laptop computer! aha!
i should know this person from Tanzania.
Tanzania. Tanzania...
Tanzania Program...
[click...click...click...click...fizzle......flatline beep.............]
[click...]
"Hiram...is that Chera M from Tanzania?"
"why yes dan. i think it is."
so. we lost Paul and Kat to Tanzania, but we got Chera. And, she recognized me in a moment of looking up from her studying, after an absence of two years, somehow picking me out of the hundreds of students who have revolving-doored through the campus next door to their home over the past eight years of Tanzania programs. pretty impressive.
and if you haven't caught on, Hiram Ring and Alex Scott are in town, and Hiram and I put on a little guitar-and-djembe concert in Houghton's coffee shop. it rocked out. we rocked out. something. it was a grand ole time. if you haven't heard Hiram, he's the Jack Johnson of Western PA. and Afghanistan. Folksy, bluesy, swingin', his lyrical talents are by turns honest, poetic, and fun. definitely a cut above your standard coffeehouse share, and two or three cuts above your standard Christian coffeehouse share for depth of lyricism and creativity.
see Hiram Ring Dot Com and give a listen. My personal picks are "Play Switch", "To Be A Swallow," "Breathe Deep," a sea shanty entitled "Last Tide," and the one about the car...
check him out!
no lawnmowing today!
as previously metioned, i continue to pass Leonard St. and wonder if Paul and Kat are home and whether or not I can bum dinner and a beer off them, only to be pulled short at the empty realization that they are gone. there is a sense of loss.
but there is a great balance. last night, on a meander through the coffeeshoppe, a young lady caught my eye, grinned, and said hello. being of tremendous mental agility and posessing the response times of a caffienated leopard, I gave her a grin, a nod, chalked it up to freshman uncertainty and my own commanding presence.
four-and-one-half steps later, as i caught a chair leg with my left toe and began a graceful in-flight path reorientation, my astounding powers of perception indicated that I should, in fact, recognize this person.
several minutes of sorting later, with surgical precision i deduced that i definitely should know this girl. from somewhere. earlier.
and then i observed with the keenest discernment--the Ruaha National Park sticker on the laptop computer! aha!
i should know this person from Tanzania.
Tanzania. Tanzania...
Tanzania Program...
[click...click...click...click...fizzle......flatline beep.............]
[click...]
"Hiram...is that Chera M from Tanzania?"
"why yes dan. i think it is."
so. we lost Paul and Kat to Tanzania, but we got Chera. And, she recognized me in a moment of looking up from her studying, after an absence of two years, somehow picking me out of the hundreds of students who have revolving-doored through the campus next door to their home over the past eight years of Tanzania programs. pretty impressive.
and if you haven't caught on, Hiram Ring and Alex Scott are in town, and Hiram and I put on a little guitar-and-djembe concert in Houghton's coffee shop. it rocked out. we rocked out. something. it was a grand ole time. if you haven't heard Hiram, he's the Jack Johnson of Western PA. and Afghanistan. Folksy, bluesy, swingin', his lyrical talents are by turns honest, poetic, and fun. definitely a cut above your standard coffeehouse share, and two or three cuts above your standard Christian coffeehouse share for depth of lyricism and creativity.
see Hiram Ring Dot Com and give a listen. My personal picks are "Play Switch", "To Be A Swallow," "Breathe Deep," a sea shanty entitled "Last Tide," and the one about the car...
check him out!
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Wednesday, September 13, 2006
4 comments:

09 September 2006
even more transient...
well. with or without internet access, days and weeks dreamily meander by; we are now in my favorite season after spring. warm summer days, cool, star-filled evenings, and deep, cold, tucked-into-the-sleeping-bag nights. the grass is still green, and the trees are still leaf-clad, the creeks are still burbling and splashable, and next to all the quiet greens and browns the threat of winter grayness seems intangible and silly.
so the days of late summer roll by, marked by the difference in dinner's, or the excitement of a movie or a game or the visit of a friend. or by the leaving of friends--i am not excellent at goodbyes--I did not linger long enough with Paul and Katrina before they embarked for Tanzania, and now they have departed. Houghton is duller now, knowing that I cannot stop by their balcony for tea and dark chocolate with little witticisms on the wrappers.
but the days continue their meander, and the little routines of living in day-to-day commitment to people and geography are pure grace--space created through proximity for personality, personality and life, life and transformation: and I am become a person again.
so the days of late summer roll by, marked by the difference in dinner's, or the excitement of a movie or a game or the visit of a friend. or by the leaving of friends--i am not excellent at goodbyes--I did not linger long enough with Paul and Katrina before they embarked for Tanzania, and now they have departed. Houghton is duller now, knowing that I cannot stop by their balcony for tea and dark chocolate with little witticisms on the wrappers.
but the days continue their meander, and the little routines of living in day-to-day commitment to people and geography are pure grace--space created through proximity for personality, personality and life, life and transformation: and I am become a person again.
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Saturday, September 09, 2006
1 comment:

07 August 2006
ahhhhh...
see, the great thing about the life of a vagabond is all the unpaid vacation time...
Upward Bound is done, finished off with a splendid banquet. I actually got to sit back and enjoy last weekend instead of trying to resolve staff conflict or sort out some kind of intervention strategy for bad study habits or prep for another week. The Properts were away on vacation, so I got a dog and a house with a beautiful view, too. And a DVD player. Ah, happy.
I'm a little sad-faced about it though. Those were good students. I didn't get to know them nearly as well as I wanted to. I will miss them...
They are a pretty unique community, these Upward Bounders--they inhabit a place where they are allowed to be their normal teenage selves in an environment shaped by and infused with Christianity which welcomes them to come and build their own creative community without having to conform to Christian norms.
Basically, it rocks out. You can be part of the transforming work of Christ in community without all the nasty expectations of conformity that make the church boring and miserable.
Funny, Yesterday felt like the most relaxing day of the summer, and it was the most productive of them all. A day of discoveries:
-the awesomeness of Feta Cheese on Pollywogg Holler Pizza
-a clear, cold spring on the other side of the Genesee flowing with water that is so much better than Houghton-On-Tap
-Bittersweet Symphony Ice Cream at the Oramel Coffee shop
-An old, old cemetary on Cronk Hill
-Lattice Bridge
-Higgin's Hole, on my new favorite Creek in the Whole Wide World (that would be Higgin's Creek)
-Sour Green Apple Kool-Aid while chillin' with the Shaffners (finally! after a summer of hasty teatimes and IM conversations) on their front porch
-Philip Christensen is ridiculously awesome...and a putz!
-V for Vendetta is still an awesome movie.
-The habits of the woodland Shaffners in their native habitat can be quite...peculiar.
And all of that after church. I think I accomplished more living in that one day than all of last August. I like it here.
--edit--
banqueting picture: I like it here.

--edit again--
check out this guy, scroll down to "Feminism and Beer Ads"...especially if your name is Gustav.
Upward Bound is done, finished off with a splendid banquet. I actually got to sit back and enjoy last weekend instead of trying to resolve staff conflict or sort out some kind of intervention strategy for bad study habits or prep for another week. The Properts were away on vacation, so I got a dog and a house with a beautiful view, too. And a DVD player. Ah, happy.
I'm a little sad-faced about it though. Those were good students. I didn't get to know them nearly as well as I wanted to. I will miss them...
They are a pretty unique community, these Upward Bounders--they inhabit a place where they are allowed to be their normal teenage selves in an environment shaped by and infused with Christianity which welcomes them to come and build their own creative community without having to conform to Christian norms.
Basically, it rocks out. You can be part of the transforming work of Christ in community without all the nasty expectations of conformity that make the church boring and miserable.
Funny, Yesterday felt like the most relaxing day of the summer, and it was the most productive of them all. A day of discoveries:
-the awesomeness of Feta Cheese on Pollywogg Holler Pizza
-a clear, cold spring on the other side of the Genesee flowing with water that is so much better than Houghton-On-Tap
-Bittersweet Symphony Ice Cream at the Oramel Coffee shop
-An old, old cemetary on Cronk Hill
-Lattice Bridge
-Higgin's Hole, on my new favorite Creek in the Whole Wide World (that would be Higgin's Creek)
-Sour Green Apple Kool-Aid while chillin' with the Shaffners (finally! after a summer of hasty teatimes and IM conversations) on their front porch
-Philip Christensen is ridiculously awesome...and a putz!
-V for Vendetta is still an awesome movie.
-The habits of the woodland Shaffners in their native habitat can be quite...peculiar.
And all of that after church. I think I accomplished more living in that one day than all of last August. I like it here.
--edit--
banqueting picture: I like it here.

--edit again--
check out this guy, scroll down to "Feminism and Beer Ads"...especially if your name is Gustav.
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Monday, August 07, 2006
5 comments:

02 August 2006
food for thought
Casualties
You can filter the entire list for "Non-Hostile" deaths...there are quite a few ways to shorten your lifespan in this world. Even sergeants get heart attacks. Man knows not his time. But it's pretty sure to be closer in Iraq.
Also, from the news section of the same page.
You can filter the entire list for "Non-Hostile" deaths...there are quite a few ways to shorten your lifespan in this world. Even sergeants get heart attacks. Man knows not his time. But it's pretty sure to be closer in Iraq.
Also, from the news section of the same page.
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Wednesday, August 02, 2006
1 comment:

29 July 2006
Real Sex
[it's a book by Lauren F. Winner]
In a nutshell, what I miss most about the Tanzania program and working with Wilderness Adventures.
I was once asked what I would say to a friend whom I knew was having premarital sex; I told my interlocutor that the first step in speaking to my friends about sex was making sure that we enjoyed relationships built on top of hundreds of ordinary shared experiences--plays attended together and pumpkins carved together and accompanying one another on doctor's appointments and changing the oil together. To say this is not to side-step the question. Community doesn't come about simply by having hard, intimate conversations. Having hard, intimate conversations is part of what is possible when people are already opening up their day-to-day lives to one another."
In a nutshell, what I miss most about the Tanzania program and working with Wilderness Adventures.
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Saturday, July 29, 2006
4 comments:

27 July 2006
yo donald miller
already there buddy--coming up on renewal for my first year's subscription!
check out what Donald Miller has to say about news magazines
ummm....it's been a crazy busy couple of weeks. any and all progress in fields other than my fourtteen Bridge students has come to a complete stop. i am exhausted.
but I got to go to the Counting Crows/Goo Goo Dolls concert last weekend, and play in Wiscoy again, and play Settlers, and Dan Sahli's been stopping by this weekend to hang out and shoot the...
oh, right, still not employing the extended vocabulary with students around. but I'm going to Buffalo this weekend for Shakespeare in the Park, and that means off-campus rules apply. hmmmm...can you say fruit of the vine?
hey, check out how ridiculously high-powered Paul's camera is. you can see individual drops of Wiscoy Creek on my face.
check out what Donald Miller has to say about news magazines
ummm....it's been a crazy busy couple of weeks. any and all progress in fields other than my fourtteen Bridge students has come to a complete stop. i am exhausted.
but I got to go to the Counting Crows/Goo Goo Dolls concert last weekend, and play in Wiscoy again, and play Settlers, and Dan Sahli's been stopping by this weekend to hang out and shoot the...
oh, right, still not employing the extended vocabulary with students around. but I'm going to Buffalo this weekend for Shakespeare in the Park, and that means off-campus rules apply. hmmmm...can you say fruit of the vine?
hey, check out how ridiculously high-powered Paul's camera is. you can see individual drops of Wiscoy Creek on my face.

etchings on old elephant bones by
the reified bean
in the year of the sojourn
Thursday, July 27, 2006
5 comments:

18 July 2006
excitement
So I almost died this weekend. Wiscoy Creek was running higher than I had ever played in it before (I've seen it higher, and quite rightly decided not to tempt God to bring me home early), so naturally we frolicked in the rushing dancing water and climbed the waterfalls. Of course I tried to fight the current and touch the middle of the middle falls, and of course it swept me away in my hubris and I had to act quickly to avoid the lower falls. It looked a lot nearer a call than it really was, which of course had the desired affect of impressing the women. Or convincing them that evolutionarily speaking, my genes are right on par with those of the dodo.
Needless to say it was an awesome day. I don't know why God made summer in New York so bloody hot and humid, but so long as there are waterfalls and streams and rivers aplenty, I'll not complain too loudly. I think the highlight of the last few weeks has been meandering along Houghton Creek in the heat of the afternoon.
And that's not the only reason my grin-to-scowl ratio is greatly elevated from last year's norm--I am indescribably happy to be a part of a community again. My employer informed me the other day that my job description could be summed up in the simple phrase: "Be Dan Holcomb." I love the feeling that I'm actually integral and important and doing something few other people could do. Yes it makes me happy.
What also makes me happy is, though there are fewer friends in my life these days, I have never tasted of such quality fellowship--I am blessed to know some amazing people, and occasionally they stop by Houghton for an hour or two of fine coffe and simply phenomenal cinnamon rolls at the Daily Grind. Sometimes in a conversation you can find a part of yourself after long estrangement.
And, finally, a lighter note of circumstance: I think maybe I have located the Bush Whacker's* soul mate. Unfortunately, I was on the way to pick up my students from internship so I couldn't wait around for this particular Jeep's owner to show up...but I got a picture:

*Bush Whacker: Jeep belonging to the twilighttreader, similarly decorated with eccentric leftist bumperstickers and often the target of animosity from police officers and angry conservatives.
--Later Edit--
So here's how I abuse office hours:
I was pondering Nietzsche:
"Whoever fights monsters
should see to it that
in the process he does not
become a monster.
And when you look long into
the abyss, the abyss also looks
into you"
And I decided to see what the context was, hoping for a larger paragraph on the nature of knowledge, self-exploration, the depravity of humanity in general, etc. Unfortunately, the larger context is a collection of "Aphorisms and Interludes," so there is no exploration of the idea--unless you count, of course, the body of his work and eventual suicide. But I digress. In the name of a chuckle, I give you the context of his quite remarkable statement: women.
"131
The sexes deceive themselves about one another: the reason being that fundamentally they love and honour only themselves (or their own ideal, to express it more pleasantly‑). Thus man wants woman to be peaceful ‑ but woman is essentially unpeaceful, like the cat, however well she may have trained herself to present an appearance of peace."
and a little later...
"144
When a woman has scholarly inclinations there is usually something wrong with her sexuality. Unfruitfulness itself disposes one to a certain masculinity of taste; for man is, if I may be allowed to say so, `the unfruitful animal'.
145
Comparing man and woman in general one may say: woman would not have the genius for finery if she did not have the instinct for the secondary role.
146
He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you."
And a little later, a meditation on love:
"153
That which is done out of love always takes place beyond good and evil."
hmmm...peculiar. people call me a chauvanist.
Needless to say it was an awesome day. I don't know why God made summer in New York so bloody hot and humid, but so long as there are waterfalls and streams and rivers aplenty, I'll not complain too loudly. I think the highlight of the last few weeks has been meandering along Houghton Creek in the heat of the afternoon.
And that's not the only reason my grin-to-scowl ratio is greatly elevated from last year's norm--I am indescribably happy to be a part of a community again. My employer informed me the other day that my job description could be summed up in the simple phrase: "Be Dan Holcomb." I love the feeling that I'm actually integral and important and doing something few other people could do. Yes it makes me happy.
What also makes me happy is, though there are fewer friends in my life these days, I have never tasted of such quality fellowship--I am blessed to know some amazing people, and occasionally they stop by Houghton for an hour or two of fine coffe and simply phenomenal cinnamon rolls at the Daily Grind. Sometimes in a conversation you can find a part of yourself after long estrangement.
And, finally, a lighter note of circumstance: I think maybe I have located the Bush Whacker's* soul mate. Unfortunately, I was on the way to pick up my students from internship so I couldn't wait around for this particular Jeep's owner to show up...but I got a picture:

*Bush Whacker: Jeep belonging to the twilighttreader, similarly decorated with eccentric leftist bumperstickers and often the target of animosity from police officers and angry conservatives.
--Later Edit--
So here's how I abuse office hours:
I was pondering Nietzsche:
"Whoever fights monsters
should see to it that
in the process he does not
become a monster.
And when you look long into
the abyss, the abyss also looks
into you"
And I decided to see what the context was, hoping for a larger paragraph on the nature of knowledge, self-exploration, the depravity of humanity in general, etc. Unfortunately, the larger context is a collection of "Aphorisms and Interludes," so there is no exploration of the idea--unless you count, of course, the body of his work and eventual suicide. But I digress. In the name of a chuckle, I give you the context of his quite remarkable statement: women.
"131
The sexes deceive themselves about one another: the reason being that fundamentally they love and honour only themselves (or their own ideal, to express it more pleasantly‑). Thus man wants woman to be peaceful ‑ but woman is essentially unpeaceful, like the cat, however well she may have trained herself to present an appearance of peace."
and a little later...
"144
When a woman has scholarly inclinations there is usually something wrong with her sexuality. Unfruitfulness itself disposes one to a certain masculinity of taste; for man is, if I may be allowed to say so, `the unfruitful animal'.
145
Comparing man and woman in general one may say: woman would not have the genius for finery if she did not have the instinct for the secondary role.
146
He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you."
And a little later, a meditation on love:
"153
That which is done out of love always takes place beyond good and evil."
hmmm...peculiar. people call me a chauvanist.
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Tuesday, July 18, 2006
8 comments:

16 July 2006
lonely roads
so on a star lit night I complained to that wise frood* of the woodlands Alex the Scott:
man, I'm so fricken' bizarre that not only do I not fit into normal society, but even the strange ones don't really know what to do with me. I feel pretty lonely freakish right now; pretty cut off.
to which he replied...
dude, you're in the company of the best of men. what great rocker or poet or thinker hasn't quested his way from the ordinary to the strange and found himself deep in the proverbial woods?
and he sang,
"I walk a lonely road/the only one that I have ever known/don't know where it goes/but it's only me/and I walk alone..."
so I'm listening to Green Day's Boulevard of Broken Dreams again, still as bold and fresh a CD as when I heard it in a very dry place last summer. "ring out the bells again/like we did when spring began...here comes the rain again/falling from the stars/drenched in pain again/becoming who we are"
JRR Tolkein's words are on the back of my new STEP t-shirt:
"Not all who wander are lost."
----
*from the Hitch Hiker's Guide to the Galaxy:
The Hitch Hiker's Guide to the Galaxy has a few things to say on the subject of towels.
A towel, it says, is about the most massively useful thing an interstellar hitch hiker can have. Partly it has great practical value — you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you — daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
Hence a phrase which has passed into hitch hiking slang, as in "Hey, you sass that hoopy Ford Prefect? There's a frood who really knows where his towel is." (Sass: know, be aware of, meet, have sex with; Hoopy: really together guy; frood: really amazingly together guy.)
man, I'm so fricken' bizarre that not only do I not fit into normal society, but even the strange ones don't really know what to do with me. I feel pretty lonely freakish right now; pretty cut off.
to which he replied...
dude, you're in the company of the best of men. what great rocker or poet or thinker hasn't quested his way from the ordinary to the strange and found himself deep in the proverbial woods?
and he sang,
"I walk a lonely road/the only one that I have ever known/don't know where it goes/but it's only me/and I walk alone..."
so I'm listening to Green Day's Boulevard of Broken Dreams again, still as bold and fresh a CD as when I heard it in a very dry place last summer. "ring out the bells again/like we did when spring began...here comes the rain again/falling from the stars/drenched in pain again/becoming who we are"
JRR Tolkein's words are on the back of my new STEP t-shirt:
"Not all who wander are lost."
----
*from the Hitch Hiker's Guide to the Galaxy:
The Hitch Hiker's Guide to the Galaxy has a few things to say on the subject of towels.
A towel, it says, is about the most massively useful thing an interstellar hitch hiker can have. Partly it has great practical value — you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you — daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
Hence a phrase which has passed into hitch hiking slang, as in "Hey, you sass that hoopy Ford Prefect? There's a frood who really knows where his towel is." (Sass: know, be aware of, meet, have sex with; Hoopy: really together guy; frood: really amazingly together guy.)
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Sunday, July 16, 2006
4 comments:

10 July 2006
office hours
one of my students asked me what my hourly wage was last night and I laughed. Up at 7:00 am, to bed around 11:30 pm, there's no way they'd be paying me by the hour. What am I getting paid anyway?
So, my office hours/daily repose stretches from breakfast at 8:30 a.m. to the staff meeting at 11:00 am, Monday through Friday. Mug of coffee, notebook, and blogsurfing. And G-Mail Messaging. Forget this hiking stuff!
So. Viva Italia! Zidane must learn some self-control, it seems...
So, my office hours/daily repose stretches from breakfast at 8:30 a.m. to the staff meeting at 11:00 am, Monday through Friday. Mug of coffee, notebook, and blogsurfing. And G-Mail Messaging. Forget this hiking stuff!
So. Viva Italia! Zidane must learn some self-control, it seems...
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Monday, July 10, 2006
1 comment:

05 July 2006
gee golly whillickers
So I really ought to have kept my mouth shut. Sera's compressor fell off at the drive in--it's a good thing I found it before it started doing laps around the fan belt and banging into other, more important parts of the engine. Can you believe my little baby actually had air conditioning? So, she's resting until I can get my grubby paws on a ratchet set...I knew I shouldn't have put off getting one...
And, in other bad news, I recieved my first bit of spam at my gmail address that I reserved for friends and family and never used for commercial or business purposes. Drat.
Well. UB staff training is rockin' along merrily, and this weekend we're going to the drive-in for Pirates of the Caribbean II with a whole plethora of STEP and UB and Houghton-ish people. Next week we get students!
And, in other bad news, I recieved my first bit of spam at my gmail address that I reserved for friends and family and never used for commercial or business purposes. Drat.
Well. UB staff training is rockin' along merrily, and this weekend we're going to the drive-in for Pirates of the Caribbean II with a whole plethora of STEP and UB and Houghton-ish people. Next week we get students!
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Wednesday, July 05, 2006
3 comments:

01 July 2006
clean and new
I moved out of my home in Buffalo exactly a month ago. 2,187 miles and nine beds later, I'm temporarily bunked on Ethan's bed in Leonard Houghton 23. So I have internet for a moment. And for all the naysayers--that's 2,187 miles on my sweet old pickup without a single hiccup. Take your shiny Fords and your plasticky Escalades and go home.

I just got out of the woods--a week of living outside in the rain, coddling flatlander softies and cajoling the tremulous into pushing themselves. I am so deeply and profoundly happy to be working not just with my hands, but with my heart.
Happy, happy, happy. My students actually begged me to lullaby them to sleep at night. I talked people up rope ladders and down zip lines and through puzzles and mazes and initiatives and built fires. What more could you ask for?

So I went home twice for various celebrations of my brother's escaping high school, and discovered the joy of Lord of the Rings miniatures strategy gaming and promptly played two straight all-nighters before settling for gaming only during twilight hours. The Men of Minas Tirith will hold fast!

And I got a satisfyingly bloody week of work in Buffalo, replete with two gunshots, an incredibly messy car wreck (see ambulance below, after brisk swabbing with towels), and of course the obligatory drunk guys.
Well. It's Houghton for me for the summer, with the Upward Bound students. I'm off to a barbeque tonight, and staff training tomorrow. Cheers!

I just got out of the woods--a week of living outside in the rain, coddling flatlander softies and cajoling the tremulous into pushing themselves. I am so deeply and profoundly happy to be working not just with my hands, but with my heart.
Happy, happy, happy. My students actually begged me to lullaby them to sleep at night. I talked people up rope ladders and down zip lines and through puzzles and mazes and initiatives and built fires. What more could you ask for?

So I went home twice for various celebrations of my brother's escaping high school, and discovered the joy of Lord of the Rings miniatures strategy gaming and promptly played two straight all-nighters before settling for gaming only during twilight hours. The Men of Minas Tirith will hold fast!

And I got a satisfyingly bloody week of work in Buffalo, replete with two gunshots, an incredibly messy car wreck (see ambulance below, after brisk swabbing with towels), and of course the obligatory drunk guys.
Well. It's Houghton for me for the summer, with the Upward Bound students. I'm off to a barbeque tonight, and staff training tomorrow. Cheers!
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Saturday, July 01, 2006
4 comments:

04 June 2006
sunny meanders
hmmm...just found this draft while sorting through the old stuff. i wrote it one year and five days ago, so I guess I'm marking my one-year anniversary as a Houghton returnee. wow.
dlh
ps--and Sera is still tickin' along! wooot! woot!
----------------------------------------


So it's good-bye Buffalo. I got to visit the airport on my last night at work, for some poor girl who fell out of an airplane and dislocated her hip. So I have one more sure-fire winner in the "Have You Ever?" game: Have you ever driven on the runway of an international airport? With a police escort? I don't think so. Drink up!
The Stronghold is packed and gone. Sean is moving into my room, and I am back on the road. I have a traveling chest now, with all the stickers I could find slapped on the outside, and pictures and notes taped to the inside lid. A mini-stronghold, with natrually more books and pens and torn-up-cereal-box notebooks than clothes...unless you count the wool socks.
I'm sitting at home, listening to Colin Hay. It's still home, even though I haven't lived here in four years. I think it's the curtains. When you put curtains up, when you start attending to decoration, you're committing to a place and a time. Home in Detroit is the last place I lived with curtains, and here I am sleeping in a real bed and eating meals that have multiple dishes. What a lark!
Still I am transient. I am at home and home will always be home--but I don't really exist here. My family and friends have work and school and chores and the kind of small talk visitors on holiday are not involved in. I have all the time in the world to sleep, and three books lie open next to my bed, and I am sitting paused in front of an empty screen. Words are reluctant, sentences tentative, and I am doing a lot of waiting for nothing in particular.
In a week, maybe two, I will be off for another curtainless room in Houghton. My identity will change again. I do not know how stressful it will be--or how deeply I will alter my habits of presentation. What new Dan Holcomb will emerge between me and my new co-workers? I wonder how recognizeable I will be to co-workers who have known me before. I wonder how recognizeable I am now to older friends from home. Will I know myself in this new place? Already my thoughts have grown turbulent around bringing the tougher, harsher man I have become in the nights on Buffalo streets home to mother and church.
I've been sleeping for the past eight months with a collection of old notebooks and journals on the bookshelves over my head. I haven't read through them in, oh, over a year. Part of me thinks I should--it's a semi-regular custom. Part of me doesn't want to. I've even been shying away from perusing the prior parts of my current journal when I'm opening it to write--something I haven't done in a little while. I'm strangely hesitant about anything committal, and putting words down on paper is a committment if you're a packrat like me. Those words will be there, in a journal I plan on keeping until I die.
What's keeping my hands hovering near but never opening those old books? Is it that there's no turning back? It won't be my friends and family not recognizing the me I've become. It won't be new acquaintances confused about the shape of my face and the color of my language. It'll be a younger me staring back appraisingly.
I'm not at all sure I'll recognize myself. It might grate in the unpleasant taste of the bargain I've struck with my current circumstances, stick it in the back of my mouth where I can't get at it and can't get it out of the way of a fragile peace I've made with a pretty uncompromising adult world. Maybe that's the fracture in the foundation that's unsettling this curtainless house with its empty rooms in my head...
Are these thoughts mine? Am I really at conflict with myself? Is something implicit in me warring with something explicit and important in my life? Am I walking a line between pragmatism and capitulation? Am I wishing I could find that line marked tight and clear?
This writing thing is scary. This identity thing is scarier. I am wondering how stable and endurirng and faithful the "I" is. Am I learning and growing, or or just adapting to the moment? I don't like feeling adrift and disconnected, removed a short distance even from the life of my old community at home. I don't like that eerie mercurial sense of personal transience that I get in between communities, in between lives.
But I really don't like the thought of burying it, unresolved, in the generation of a new noisy rhythmic busy life. I don't like the thought that I may remain unchanged, unresolved, subsumed into some quieting patterns and distracting tasks, something insubstantial into an identity in need of something solid and true.
dlh
ps--and Sera is still tickin' along! wooot! woot!
----------------------------------------


So it's good-bye Buffalo. I got to visit the airport on my last night at work, for some poor girl who fell out of an airplane and dislocated her hip. So I have one more sure-fire winner in the "Have You Ever?" game: Have you ever driven on the runway of an international airport? With a police escort? I don't think so. Drink up!
The Stronghold is packed and gone. Sean is moving into my room, and I am back on the road. I have a traveling chest now, with all the stickers I could find slapped on the outside, and pictures and notes taped to the inside lid. A mini-stronghold, with natrually more books and pens and torn-up-cereal-box notebooks than clothes...unless you count the wool socks.
I'm sitting at home, listening to Colin Hay. It's still home, even though I haven't lived here in four years. I think it's the curtains. When you put curtains up, when you start attending to decoration, you're committing to a place and a time. Home in Detroit is the last place I lived with curtains, and here I am sleeping in a real bed and eating meals that have multiple dishes. What a lark!
Still I am transient. I am at home and home will always be home--but I don't really exist here. My family and friends have work and school and chores and the kind of small talk visitors on holiday are not involved in. I have all the time in the world to sleep, and three books lie open next to my bed, and I am sitting paused in front of an empty screen. Words are reluctant, sentences tentative, and I am doing a lot of waiting for nothing in particular.
In a week, maybe two, I will be off for another curtainless room in Houghton. My identity will change again. I do not know how stressful it will be--or how deeply I will alter my habits of presentation. What new Dan Holcomb will emerge between me and my new co-workers? I wonder how recognizeable I will be to co-workers who have known me before. I wonder how recognizeable I am now to older friends from home. Will I know myself in this new place? Already my thoughts have grown turbulent around bringing the tougher, harsher man I have become in the nights on Buffalo streets home to mother and church.
I've been sleeping for the past eight months with a collection of old notebooks and journals on the bookshelves over my head. I haven't read through them in, oh, over a year. Part of me thinks I should--it's a semi-regular custom. Part of me doesn't want to. I've even been shying away from perusing the prior parts of my current journal when I'm opening it to write--something I haven't done in a little while. I'm strangely hesitant about anything committal, and putting words down on paper is a committment if you're a packrat like me. Those words will be there, in a journal I plan on keeping until I die.
What's keeping my hands hovering near but never opening those old books? Is it that there's no turning back? It won't be my friends and family not recognizing the me I've become. It won't be new acquaintances confused about the shape of my face and the color of my language. It'll be a younger me staring back appraisingly.
I'm not at all sure I'll recognize myself. It might grate in the unpleasant taste of the bargain I've struck with my current circumstances, stick it in the back of my mouth where I can't get at it and can't get it out of the way of a fragile peace I've made with a pretty uncompromising adult world. Maybe that's the fracture in the foundation that's unsettling this curtainless house with its empty rooms in my head...
Are these thoughts mine? Am I really at conflict with myself? Is something implicit in me warring with something explicit and important in my life? Am I walking a line between pragmatism and capitulation? Am I wishing I could find that line marked tight and clear?
This writing thing is scary. This identity thing is scarier. I am wondering how stable and endurirng and faithful the "I" is. Am I learning and growing, or or just adapting to the moment? I don't like feeling adrift and disconnected, removed a short distance even from the life of my old community at home. I don't like that eerie mercurial sense of personal transience that I get in between communities, in between lives.
But I really don't like the thought of burying it, unresolved, in the generation of a new noisy rhythmic busy life. I don't like the thought that I may remain unchanged, unresolved, subsumed into some quieting patterns and distracting tasks, something insubstantial into an identity in need of something solid and true.
etchings on old elephant bones by
the reified bean
in the year of the sojourn
Sunday, June 04, 2006
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